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Sep 19, 2018

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Midland Reporter-Telegram writer Ed Todd stands at the top of the I-20 Wildlife Preserve hawk tower overlooking part of the facility Journalistic curiosity is a passionate pursuit among today's Midland journalists who are committed to earning their readership's trust, a community treasure. Among credible journalists, that was the case in the years of handset type and hot-type letterpress and cold-type photocomposition just before the Information Age, characterized by computers and digital gizmos. Those brought about virtual silence in the newsroom aside from the pitter-patter of light fingers caressing or tapping plastic keyboard keys. It is nothing akin to the mechanical boisterousness of heavy-duty yakking Underwood and Royal typewriters and Teletype machines amid a haze of newsroom smoke from smoldering tobacco, Lucky Strike and Camel to maybe Picayune of old New Orleans and Bull Durham, perhaps a filter-tipped Winston. Sounding the newspaper's mission was the clickety-clack or the hammered banging of the QWERTY-keyed manual typewriter, lining up characters into words, thence into sentences and sense, a wonder that amazed writer and editor and promised to awaken readers for whom the toil was spent and dedicated. The Teletype, like a machine-gun's drumming rat-a-ta-ta stream, spewed out wire stories, a ringing bell signaling urgency. Editors faithfully courted deadlines. Without them, some writers would never turn in their copy while seeking unattainable perfection and completeness. Journalism's ideal mission was incisively portrayed by University of Missouri journalism professor Walter Williams (1864-1935) who penned or typed "The Journalist's Creed": "Clear thinking and clear statement, accuracy and fairness, are fundamental to good journalism." Furthermore, the "journalist should write only what he holds in his heart to be true." In the hot-type days of yore, the music — the beat, the rhythm, the cacophony — of the newsroom was somewhat melodious, singularly rapturous poetic chords like that of a coal-fired steam locomotive.

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And he thought the case was over. He assumed that justice had been served. But then, like, eight months later, he got a bill from the city, a bill he never knew that was coming that said he had to reimburse the city for the cost of prosecuting himself. SHAPIRO: And there were lots of other cases like his in the surrounding area. KELMAN: There were. I did a little bit of public records work and figured out that basically two cities in a relatively low-income corner of the Southern California desert had done this to about 18 of their residents. And sometimes the cases were really small. They were - you know, one woman, for example, hung a Halloween decoration on a street light. She got prosecuted, pleaded guilty to a violation, which is no more serious than a traffic ticket. And the city tried to bill her almost $5,000 to pay for her own prosecution. SHAPIRO: You found out that these cities had outsourced the prosecution of these minor offenses.

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